This publication portrays the artist's anthological exhibition, in which a global reassessment of his work is carried out, confronting the conceptual unity with its extraordinary diversity of supports, languages and materials.

In the work of Vítor Pomar, art emerges as a process of reunification of the experience of dispersion of everyday life, inscribing records as a diaristic evidence of the artist's relationship with the absolute of existence, from the fragmentation of observation and creation of images.