Robert Rauschenberg is one of the greatest figures in international art of the second half of the 20th century. As an artist, he was involved in the practice of painting, sculpture, photography, performance, dance or theater, promoting an interdisciplinary approach that combines him, in a unique way, at the dawn of the so-called postmodernity.
Focused on the first 25 years of Rauschenberg's production, this book aims to provide the reader with a set of instruments that allow him to identify the main axes that guided this artist's activity in the 1950s and 1960s, as well as the premises on which a large part of his work is based. of its subsequent production.
Mapping the developments that Robert Rauschenberg's practice experienced between 1949 and 1974, this issue of the Collection also brings together a significant set of critical perspectives that have been focusing on his work, and in whose diversity we can see the vitality and relevance that his work has in contemporaneity.
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