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«Sound becomes a presence in his painting and drawing work, in his sculptural objects or installations, even when there are no devices or means to produce or emit sound.» António Gonçalves (curator of Pedro Tudela’s exhibition at Galeria Ala da Frente)
«Sound becomes a presence in his painting and drawing work, in his sculptural objects or installations, even when there are no devices or means to produce or emit sound.» António Gonçalves (curator of Pedro Tudela’s exhibition at Galeria Ala da Frente)
«When used, objects assume and emphasize the accumulation of information, whether through touch, repetition or reflection. As such, together, they become echoes of all the knowledge that was related to them, and articulate in another entity. This magnetic course makes it possible for the past tense of information to be related to what is current.
[…]
The capacity of the place (site) to become something else, either through the relationship of the plane in space (facts that follow one another) or through the comparison, which we naturally make, between two or more unequal quantities.
[…]
In exercises of overlapping and collage of sounds with some proximity, the mutual masking effect can annul some identity, which was originally seen in each of them. In this way, the result removes the first suggested images, to make way for a new event, with or without a referent, but certainly, as a sum that can subtract or even erase certain frequencies, with greater or lesser prominence, that identified them.»
Pedro Tudela
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«Sound becomes a presence in his painting and drawing work, in his sculptural objects or installations, even when there are no devices or means to produce or emit sound.» António Gonçalves (curator of Pedro Tudela’s exhibition at Galeria Ala da Frente)
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