This publication is a selected survey of British-born, New York-based artist Liam Gillick's groundbreaking projects, installations, methods and practices, which since the 1990s have challenged the orthodox presentation and reception of art.

Considering the relationship between the artist, the institution and the audience to be mutually codependent in the creation of meaning, Gillick has created situations in which the outcome was incomplete, questioning the expanded role of the exhibition visitor.

From Nineteen Ninety "A" to Nineteen Ninety "D" includes the artist's original texts from the 1990s, new essays by Yves Aupetitallot, Tom Eccles, Paul O'Neill and Jörn Schafaff, and contributions from the many collaborative partners and students who restaged his work in exhibitions at CCS Bard, Hessel Museum, Annandale-on-Hudson (2013) and the École du Magasin, Grenoble, in 2014.