The catalog you mentioned was published on the occasion of the exhibition "A Minha Obra É O Meu Corpo" by Helena Almeida at the Museum of Contemporary Art of Serralves in 2015.

The publication delves into the artist's working process and the place of her work within the context of Portuguese art and feminism as well as performative artistic practices of the 1970s and subsequent decades. The catalog features unpublished essays by Peggy Phelan (Professor of Theater and Performance and English at Stanford University) and Connie Buttler.

According to Suzanne Cotter, who classified the exhibition, it was a "important revelation for younger generations who did not have the opportunity to follow Helena Almeida's work over the past five decades," and the same is expected with this publication.